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AuthorLawrence Russ

Was the Alfred P. Sloan Scholar for the Humanities at the University of Michigan. Obtained a Master of the Fine Arts degree from the University of Massachusetts at Amherst, where I was selected as a Writing Fellow in Poetry by the Program faculty. Have published poems, essays and reviews in many magazines, anthologies, reference works, and other publications, including The Nation, The Iowa Review, Virginia Quarterly Review, Parabola, OMNI, and the exhibition catalogue for Art at the Edge of the Law at the Aldrich Contemporary Art Museum. Received a law degree from the University of Michigan, and have changed the law and created educational programs in the fields of arts law, historic preservation law, and public construction and contracting law in the State of Connecticut. My photographs have appeared in international, national, regional and state juried exhibitions, and have been selected for awards including Honorable Mentions in the Architecture, Fine Art (series), Nature (series), Open Theme (series), Portrait, and Seascape categories from the international Fine Art Photography Awards, and an Honorable Mention in the Fine Art-Other category from the International Photography Awards. Photographs of mine have been selected for exhibition or publications by or in the 2019 International Juried Exhibition of the Center for Photographic Art (Carmel, CA), 2019 International Competition of The Photo Review, the 2019 Open Exhibition of the Center for Fine Art Photography in Fort Collins CO, F-Stop Magazine, Shadow & Light Magazine, Black Box Gallery in Portland OR, Praxis Gallery in Minneapolis MN, the Darkroom Gallery in VT, PhotoPlace Gallery in VT, A Smith Gallery in TX, the New Britain Museum of American Art, and many other journals and venues. My work has also been selected for inclusion in the Flatfile Program of Artspace New Haven (CT). My photography website is at www.lawrenceruss.com .

A Christmas Approach to Street Photography: Gifts Given, Gifts Withheld – Post 2 of 2

I miss the pleasures of meeting people in doing my street photography.  Various factors have kept me from it almost completely  for several years:  a major change in the nature of my paying employment, a new office location, a much-needed surgery and long rehabilitation, the pandemic.  But I have to say that my experience, mostly on the streets of downtown Hartford, Connecticut, wasn’t all warming and satisfying, though it did call to my mind aspects of the life presented in the Gospels just as much as did the better parts of my portrait-seeking experience.

A Christmas Approach to Street Photography: Peace on Earth, Good Will toward Men – Post 1 of 2

One of the great dangers for each of us is that we let someone define us, even it’s ourselves, and then we let that definition dictate what we do and don’t do, what we believe is possible or right for us.  At various times in my life, I’ve felt impelled to challenge some idea of myself, sometimes at the cost of tremendous anxiety and apprehension.  I often think of (and have a couple of T-shirts that quote) the remark of one of the child “Candidates” in The Matrix, when Neo asks him how he is bending a spoon only by thinking about:  “There is no spoon.”  St. Paul has a similar, but farther-reaching saying:  “I can do all things through Christ who strengthens me.”  (Philippians 4:13.)

Addition to my ongoing, award-winning "Marion under the Moon" series

A New “Marion” and a New Clue

As the title of this post promises, here is the photograph that just last week joined my ongoing, award-winning “Marion under the Moon” series. Its title is “Dream of the Playground Melting into Night.” Several friends of mine, seeing it for the first time, have ha wildly differing emotional reactions to it . . . One male friend said that the image provides “mysteries upon mysteries”. . . .

“Blessed are those who mourn . . . who thirst after righteousness . . . the merciful . . . the pure in heart . . . the peacemakers. . .”

Today, I read a front-page article in The New York Times about how the “culture wars,” the political divisions in this country, are causing conflicts within church congregations, and driving … Continue Reading “Blessed are those who mourn . . . who thirst after righteousness . . . the merciful . . . the pure in heart . . . the peacemakers. . .”

Marion Magic

All of the people who know me pretty well know that I adore my wife, Marion. It’s a central fact of my person and my life. You yourself may, just possibly, have gathered this from my earlier post, “The Heroines’ Unpinned Hair” (posted February 13, 2013) https://lruss.com/2013/02/15/the-heroines-unpinned-hair/ . If you didn’t guess it before, you’ll likely guess now that she’s the model in all the images in my “Marion under the Moon” series, which began with the photograph (above) of that name. . . .

Keith Carter and the Cloud of Mercy – Part 3 of 3

It’ll be tempting for me at times to get lost in exposition or explanation, but I want to stick as much as possible to what’s central to this series of posts: an experience that I had some years ago on August 28 in Israel that suddenly came to mind as I was looking at Keith Carter’s Fifty Years and thinking about his use of shallow focus.