In my last post, I made some remarks about the falsity of calling certain artworks “surrealistic.” I want to pursue that further here. Am I saying that we should never use the words “surreal” or “surrealistic”? No, but. . . .
As the title of this post promises, here is the photograph that just last week joined my ongoing, award-winning “Marion under the Moon” series. Its title is “Dream of the Playground Melting into Night.” Several friends of mine, seeing it for the first time, have ha wildly differing emotional reactions to it . . . One male friend said that the image provides “mysteries upon mysteries”. . . .
All of the people who know me pretty well know that I adore my wife, Marion. It’s a central fact of my person and my life. You yourself may, just possibly, have gathered this from my earlier post, “The Heroines’ Unpinned Hair” (posted February 13, 2013) https://lruss.com/2013/02/15/the-heroines-unpinned-hair/ . If you didn’t guess it before, you’ll likely guess now that she’s the model in all the images in my “Marion under the Moon” series, which began with the photograph (above) of that name. . . .
It’ll be tempting for me at times to get lost in exposition or explanation, but I want to stick as much as possible to what’s central to this series of posts: an experience that I had some years ago on August 28 in Israel that suddenly came to mind as I was looking at Keith Carter’s Fifty Years and thinking about his use of shallow focus.
What you see above is a reproduction of the cover of the July 1992 issue of OMNI Magazine, for which I wrote the month’s “First Word” piece. The “First Word” … Continue Reading Art and the Mad Machine: The Spirit of Life vs. The Spirit of Addiction
We’re all taught – or, rather, misled – by our families, our schools, our occupational or professional training, by the ubiquitous stream of advertisements, to believe that what is unreal … Continue Reading A Little Guidance and a First Pair of Clues
If you’ve read my first post on this blog — “Welcome to Artists, Lovers of Art, and Unknown Friends” — you’ll have a good indication of my intentions here. And if … Continue Reading A Welcome to Further and Farther Voyages
“. . . there is only one thing valuable in art and that is the bit that cannot be explained. To explain away the mystery of a great painting – if such a feat were possible – would be irreparable harm . . . if there is no mystery then there is no ‘poetry,’ the quality I value above all else in art.”
-- Georges Braque
Yes, the word “camera” is italicized in the original text of this passage from “The God of the Living” by George MacDonald. The word opens an entrance into these … Continue Reading The Body, Mortal and Immortal, as a Camera
I drove by the site late one day and took a few photos for my final-stretch planning. After dinner, when I looked at the photos on my computer, I did … Continue Reading Who Really Made That Photograph? – Part 2 of 2
I wish you all for thanksgiving what, in a sense, but only in a sense, we already have — a world of wonders. Or, rather, I wish that we would all enter … Continue Reading Wishing You a Wonderful Thanksgiving
[The ink painting above, by Sengai, pictures a scene from the famous Zen koan in which the Zen teacher, Nan-ch’uan, tells his students that he will chop the kitten in … Continue Reading Alligator Intellect
I don’t know how many “favorite” photographs I have, but I know that one of the frames in my sanctum of photographic love holds Imogen Cunningham’s “The Unmade Bed.” It’s clicheish to … Continue Reading The Heroines’ Unpinned Hair
Society works to make us believe that we’re small, insufficient, that we have to run on the fumes of worldly ambition, that we’ll be doomed if we don’t buy what … Continue Reading Summoning the Genie’s Power – Post 3
Shadows or darkness, fog or cloud, curving shapes, blurred or fantastical objects. Why should photographs with elements like these help to bring on that state of deep calm and heightened … Continue Reading Summoning the Genie’s Power – Post 2
At the end of my last post, I promised you testimony to a particular power of art. The photo of mine above has a title relevant to my purpose: “The … Continue Reading Summoning the Genie’s Power – Post 1