I want to introduce you to a new portfolio of mine: “Towers and Devices of an Alien Race.” But I don’t, don’t want to squeeze it into an ill-fitting box of conceptions or drown it in chat about techniques or influence. Still, I want to tell you a few of the thoughts and feelings that I had in making these works.
As I said I would, I’ll write to you soon about the Fire in “The Friend Who May Not Seem a Friend.” But I have to share with you first an exceptional, timely gift that came to me this week.
I miss the pleasures of meeting people in doing my street photography. Various factors have kept me from it almost completely for several years: a major change in the nature of my paying employment, a new office location, a much-needed surgery and long rehabilitation, the pandemic. But I have to say that my experience, mostly on the streets of downtown Hartford, Connecticut, wasn’t all warming and satisfying, though it did call to my mind aspects of the life presented in the Gospels just as much as did the better parts of my portrait-seeking experience.
As some of you knew, we in the Northeast received warnings through all kinds of media in the early part of this week about the likelihood that a powerful Nor’Easter … Continue Reading Christmas Reports on Weather of the Soul from Charles Dickens (God bless ‘im!) and Me
These are the thoughts of all men in all ages and lands, they are not original with me, If they are not yours as much as mine they are nothing … Continue Reading A Quiet Coming-Together: Walt Whitman, America, Keith Carter, This Post
I recently had three of my photographs chosen for an exhibition called “Strange Times” at the Atlanta Photography Group Gallery . That exhibition was conceived partly with the pandemic in mind. Yet none of my selected images was made since the start of the pandemic, and none was generated by a dream or even a waking fantasy.
In my last post, I made some remarks about the falsity of calling certain artworks “surrealistic.” I want to pursue that further here. Am I saying that we should never use the words “surreal” or “surrealistic”? No, but. . . .
Dear Readers, I’m sorry to be so late with this “next” post. But you all know that sometimes we seem to be having even more difficulties than we usually do. And sometimes the world seems to give us even more causes for grief than it commonly does.
What you see above is a reproduction of the cover of the July 1992 issue of OMNI Magazine, for which I wrote the month’s “First Word” piece. The “First Word” … Continue Reading Art and the Mad Machine: The Spirit of Life vs. The Spirit of Addiction
We’re all taught – or, rather, misled – by our families, our schools, our occupational or professional training, by the ubiquitous stream of advertisements, to believe that what is unreal … Continue Reading A Little Guidance and a First Pair of Clues
If you’ve read my first post on this blog — “Welcome to Artists, Lovers of Art, and Unknown Friends” — you’ll have a good indication of my intentions here. And if … Continue Reading A Welcome to Further and Farther Voyages
Tomas Transtromer, the Swedish poet and psychotherapist, won the Nobel Prize for Literature in 2011. Transtromer, who died in 2015, wrote this poem after the assassination of President John Fitzgerald … Continue Reading An Unhappy July the 4th
Yes, the word “camera” is italicized in the original text of this passage from “The God of the Living” by George MacDonald. The word opens an entrance into these … Continue Reading The Body, Mortal and Immortal, as a Camera
On the front page of The New York Times for Saturday, April 21, 2018, there was an article titled “Over 700 Children Taken from Parents at Border.” It began: On … Continue Reading Suffer the Little Children to Come unto Me
There’s a loneliness in being an artist, a feeling that almost no one else understands or values what you’ve intended or made. There’s loneliness in having had any kind of … Continue Reading Lonely Truth versus the Chill of Ages
I’ve titled this image “Prominence.” Every word has an infinite number of meanings that depend, in part, on the context of its usage and the capacities of the one who … Continue Reading Prominence