Today, I read a front-page article in The New York Times about how the “culture wars,” the political divisions in this country, are causing conflicts within church congregations, and driving … Continue Reading “Blessed are those who mourn . . . who thirst after righteousness . . . the merciful . . . the pure in heart . . . the peacemakers. . .”
All of the people who know me pretty well know that I adore my wife, Marion. It’s a central fact of my person and my life. You yourself may, just possibly, have gathered this from my earlier post, “The Heroines’ Unpinned Hair” (posted February 13, 2013) https://lruss.com/2013/02/15/the-heroines-unpinned-hair/ . If you didn’t guess it before, you’ll likely guess now that she’s the model in all the images in my “Marion under the Moon” series, which began with the photograph (above) of that name. . . .
My earlier sets of clues had to do, you might say, with the nature of reality, of being. This set has a different emphasis, though the same ground. This one … Continue Reading Three More Clues, Turned in Another Direction
The artist’s world is limitless. It can be found anywhere, far from where he lives or a few feet away. It is always on his doorstep. – Paul Strand
I’m thrilled to be able to tell you that Keith Carter evidently read my three-post “Keith Carter and the Cloud of Mercy” on this site, and he posted this comment … Continue Reading A Surprise Bright Spot in My Confinement
I didn’t know, when I started my three-post “Keith Carter and the Cloud of Mercy,” how many new reasons we would have now, in this pandemic, to pray for mercy. … Continue Reading Angels of Love and Sorrow
It’ll be tempting for me at times to get lost in exposition or explanation, but I want to stick as much as possible to what’s central to this series of posts: an experience that I had some years ago on August 28 in Israel that suddenly came to mind as I was looking at Keith Carter’s Fifty Years and thinking about his use of shallow focus.
Anyone familiar with Keith Carter’s photography will have seen how often and how extremely Carter uses a common technique that’s referred to in various ways: limited or shallow depth field, … Continue Reading Keith Carter and the Cloud of Mercy, Part 2 of 3
First: I love Keith Carter’s photographs. Let me say that again: I love Keith Carter’s photographs. That has nothing to do with opinion or analysis, but rather with the grateful, … Continue Reading Keith Carter and the Cloud of Mercy, Part 1 of 3
This time, I haven’t drawn from religious or mystical texts, or parables or poetry or painting, for my clues to reality. This time, I’m taking you to court, so to … Continue Reading A Different Kind of Clue
All ye works of the Lord, Bless the Lord, Praise and exalt Him Above all, for ever. The stranger who resides with you shall be to you as one of … Continue Reading How do I love Thee? Let me count the ways. (Christmas 2019)
This photograph, called “Lunar Eclipse,” is another from my “Marion under the Moon” series. I made it in 2017, and since then it has been selected by the Visual Arts … Continue Reading Happy Thanksgiving 2019, Over and Under the Moon!
I’ve written posts before about the inspirations or events that come to us, without our having planned or willed them, to spur or add force to artistic works (you don’t … Continue Reading We Don’t Know How
I have for you three clues, or, if you will, a three-part exercise. Any of the parts could move you closer to certain comprehensions, but it’s my hope and belief … Continue Reading Three Clues, One Three-Part Exercise, to Open What’s Closed
As I’ve said, a part of what I plan to do for you in these posts is to give you what I’ve called clues, aiming to bring you closer to … Continue Reading Some Cautions about Enlightenment
What you see above is a reproduction of the cover of the July 1992 issue of OMNI Magazine, for which I wrote the month’s “First Word” piece. The “First Word” … Continue Reading Art and the Mad Machine: The Spirit of Life vs. The Spirit of Addiction