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Keith Carter and the Cloud of Mercy – Part 3 of 3

It’ll be tempting for me at times to get lost in exposition or explanation, but I want to stick as much as possible to what’s central to this series of posts: an experience that I had some years ago on August 28 in Israel that suddenly came to mind as I was looking at Keith Carter’s Fifty Years and thinking about his use of shallow focus.

“. . . there is only one thing valuable in art and that is the bit that cannot be explained.  To explain away the mystery of a great painting – if such a feat were possible – would be irreparable harm . . . if there is no mystery then there is no ‘poetry,’ the quality I value above all else in art.”

-- Georges Braque

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