I wrote to you about the story of the cat at the heart of this photograph, but why is the cat wreathed in flames, and why don’t they consume him? I’ll respond to that now, not with pretended analysis or explanation, but with a kind of “Biography of Fire.” . . .
I didn’t know, when I started my three-post “Keith Carter and the Cloud of Mercy,” how many new reasons we would have now, in this pandemic, to pray for mercy. … Continue Reading Angels of Love and Sorrow
It’ll be tempting for me at times to get lost in exposition or explanation, but I want to stick as much as possible to what’s central to this series of posts: an experience that I had some years ago on August 28 in Israel that suddenly came to mind as I was looking at Keith Carter’s Fifty Years and thinking about his use of shallow focus.
I’ve written posts before about the inspirations or events that come to us, without our having planned or willed them, to spur or add force to artistic works (you don’t … Continue Reading We Don’t Know How
Yes, the word “camera” is italicized in the original text of this passage from “The God of the Living” by George MacDonald. The word opens an entrance into these … Continue Reading The Body, Mortal and Immortal, as a Camera
“[The] notion that man has a body distinct from his soul is to be expunged; this I shall do, by printing in the infernal method, by corrosives, which in Hell … Continue Reading Windows and Doors and Waves and the Well
I drove by the site late one day and took a few photos for my final-stretch planning. After dinner, when I looked at the photos on my computer, I did … Continue Reading Who Really Made That Photograph? – Part 2 of 2