Dear Readers, I’m sorry to be so late with this “next” post. But you all know that sometimes we seem to be having even more difficulties than we usually do. And sometimes the world seems to give us even more causes for grief than it commonly does.
All of the people who know me pretty well know that I adore my wife, Marion. It’s a central fact of my person and my life. You yourself may, just possibly, have gathered this from my earlier post, “The Heroines’ Unpinned Hair” (posted February 13, 2013) https://lruss.com/2013/02/15/the-heroines-unpinned-hair/ . If you didn’t guess it before, you’ll likely guess now that she’s the model in all the images in my “Marion under the Moon” series, which began with the photograph (above) of that name. . . .
The artist’s world is limitless. It can be found anywhere, far from where he lives or a few feet away. It is always on his doorstep. – Paul Strand
I’m thrilled to be able to tell you that Keith Carter evidently read my three-post “Keith Carter and the Cloud of Mercy” on this site, and he posted this comment … Continue Reading A Surprise Bright Spot in My Confinement
It’ll be tempting for me at times to get lost in exposition or explanation, but I want to stick as much as possible to what’s central to this series of posts: an experience that I had some years ago on August 28 in Israel that suddenly came to mind as I was looking at Keith Carter’s Fifty Years and thinking about his use of shallow focus.
Anyone familiar with Keith Carter’s photography will have seen how often and how extremely Carter uses a common technique that’s referred to in various ways: limited or shallow depth field, … Continue Reading Keith Carter and the Cloud of Mercy, Part 2 of 3
First: I love Keith Carter’s photographs. Let me say that again: I love Keith Carter’s photographs. That has nothing to do with opinion or analysis, but rather with the grateful, … Continue Reading Keith Carter and the Cloud of Mercy, Part 1 of 3
This time, I haven’t drawn from religious or mystical texts, or parables or poetry or painting, for my clues to reality. This time, I’m taking you to court, so to … Continue Reading A Different Kind of Clue
This photograph, called “Lunar Eclipse,” is another from my “Marion under the Moon” series. I made it in 2017, and since then it has been selected by the Visual Arts … Continue Reading Happy Thanksgiving 2019, Over and Under the Moon!
As I’ve said, a part of what I plan to do for you in these posts is to give you what I’ve called clues, aiming to bring you closer to … Continue Reading Some Cautions about Enlightenment
If you’ve read my first post on this blog — “Welcome to Artists, Lovers of Art, and Unknown Friends” — you’ll have a good indication of my intentions here. And if … Continue Reading A Welcome to Further and Farther Voyages
“When people look at my pictures I want them to feel the way they do when they want to read a line of a poem twice.” Robert Frank
Li Bo, how could you keep your heart from loneliness, calling always to the moon?
Yes, the word “camera” is italicized in the original text of this passage from “The God of the Living” by George MacDonald. The word opens an entrance into these … Continue Reading The Body, Mortal and Immortal, as a Camera
On the front page of The New York Times for Saturday, April 21, 2018, there was an article titled “Over 700 Children Taken from Parents at Border.” It began: On … Continue Reading Suffer the Little Children to Come unto Me
I’ve titled this image “Prominence.” Every word has an infinite number of meanings that depend, in part, on the context of its usage and the capacities of the one who … Continue Reading Prominence